Nancy Baker Cahill, Vice Chair (3/16) is a visual artist living in Los Angeles. Her drawings, installations, videos and collaborative projects represent the body as a complicated abstraction: corporeally real, yet forever unknowable and mediated by external forces. She received her B.F.A. cum laude with Honors in Art from Williams College. From 2010-2012 she initiated and led a collaborative art project at Homeboy Industries called “Exit Wounds.” Works from this project were exhibited throughout Los Angeles as part of the Craft and Folk Art Museum’s “Folk Art Everywhere” program through 2013. From 2006 – 2011 she served on the Hollywood Community Redevelopment Agency’s Public Art Advisory Board. She is the recipient of an ARC Grant from the Center for Cultural Innovation. Exhibition highlights include the Pasadena Museum of California Art, The Torrance Art museum, and various galleries. Press highlights include a profile in KCET’s award-winning “Artbound” series and the Los Angeles Times. In 2015 she designed and led a collage workshop with homeless individuals under the aegis of the Craft and Folk Art Museum. She is also a member of the Pasadena Art Alliance.
Andrea Collins (12/17) is a Portfolio Analyst at City National Rochdale. City National Rochdale, a subsidiary of City National Bank, is an investment management firm specializing in intelligently personalized portfolio management for high-net-worth individuals, families, and foundations. Since 2005, she has dedicated her career to working closely with each client’s advisor to developing portfolios based on the client’s investment objective, time horizon, income needs, and tolerance for market volatility. Prior to joining City National Rochdale, Ms. Collins worked at Morgan Stanley Wealth Management, in Beverly Hills, as a Senior Associate providing comprehensive investment planning for co-managed portfolios.
Ms. Collins holds a dual degree from the University of California, Berkeley in Economics and History of Art and is currently pursuing Level I candidacy for the Chartered Financial Analyst designation. Her passion for the history of art was first highlighted, in high school, during an AP Art History course and further cultivated during her work at the Berkeley Art Museum and study abroad program in Florence, Italy. Active in the community, she serves as a member of the Juvenile Diabetes Research Foundation, on the City National Bank Business Development Committee for the Multicultural Strategy Initiative – Black Colleague Alliance, and has served as a panelist for the California Diversity Council Multicultural Leadership Roundtable. She frequently teaches financial literacy workshops for schools and organizations in an effort to bridge the awareness of the correlation between financial stewardship, wealth management, and legacy building.
Kenturah Davis (10/13) is a Los Angeles artist and has produced work for exhibitions, artist collaborations, film and commissions. The core of her work oscillates between portraiture and design, exploring themes related to the body and the formation of identities. Davis is the featured visual artist in the syndicated documentary, “Ray Charles America” that aired on A&E Network. She is a collaborator in Andrea Zittel’s Smockshop and Panelshop projects, designing product for the artist enterprise and representing the group in national and international exhibitions. Last year’s Mis-Design exhibition at the University of Melbourne’s Ian Potter Museum included two works by Davis.
Michael Delgado (12/16) is the owner and Executive Publisher of the A.G. Geiger Fine Art Bookstore and Press that specializes in current California based artists from the mid 20th century to the present. A.G. Geiger opened in Chinatown, Los Angeles in the Spring of 2016 and showcases a carefully curated collection of rare exhibition catalogs, monographs and fine art books. A.G. Geiger has its own imprint called California Art Books that will catalog contemporary Los Angeles artists through quarterly issues and related events. The first installment is planned for the Spring of 2017. A.G. Geiger also presents artist/ curator talks, music and other special events including an art book fair. He is a graduate of the USC School of Fine Art, former art writer for the LA Weekly and Editor of the Journal of the Los Angeles Institute of Contemporary Art (LAICA). After LAICA, Mr. Delgado became the Executive Director of Business Development for iNTELEFILM, a publicly traded holding company for five prominent film and television production companies. He also earned Executive Producer credits with MTV and IMG for action sports specials featuring Shaun White.
Kathie Foley-Meyer, Chair (12/11) is a mixed media artist and arts consultant based in Los Angeles. In her work as a nonprofit arts consultant she is charged with facilitating connections between the organizations and potential funders, artists and collaborators. She has also worked as a graphic designer on behalf of theater companies, museums and other nonprofits. She received an MFA from California Institute of the Arts and a BS in Foreign Service from Georgetown University. In 2016 her work was featured in the group exhibition “SKIN” at the Los Angeles Municipal Art Gallery, which explored the subject of race and identity in contemporary American life. She also created an installation at the Pasadena Playhouse for the production of FLY by Trey Ellis and Ricardo Khan, a play that tells the story of the Tuskegee Airmen. In July her piece Colored Entrance, was featured in the “Real American” exhibition at the Ann Arbor Art Center. In 2015 she was part of a group of American artists who traveled to Japan and exhibited their work with Japanese artists in Kitakyushu, Ashiya and Kyoto. Her sculpture Brown People, Glass Housewas featured in “Hard-Edged: Geometrical Abstraction and Beyond,” a group show at the California African American Museum that ran through April of 2016, and her solo exhibition of photographs and mixed media entitled Memory Parade was on view at LA Artcore in the fall of 2015.
Whitney Gore (10/17) is counsel for global original series at Netflix and works on shows produced in the United States, the United Kingdom and Canada. Prior to Netflix, Whitney was the director of legal affairs for Legendary Television and Digital Media, an independent studio that has produced shows for a variety of networks and platforms, including Netflix, Amazon, Hulu, USA and ABC. Before moving to Los Angeles, Whitney worked in New York City for a technology and media start-up that developed and marketed technology called the “Espresso Book Machine,” a 2008 Time Magazine “Best Invention of the Year.” Whitney first developed her love of contemporary art while working in China in 2005, when she had the opportunity to spend time at Beijing’s 798 Art Zone and Shanghai’s M50 Art District. Whitney grew up in Edmonton and Victoria, Canada, received her B.A. from Mount Holyoke College in Massachusetts and her law degree from Loyola Law School Los Angeles. In her free time, in addition to frequenting art galleries, Whitney takes Mandarin lessons and enjoys the LA concert scene.
Amy Knoll Fraser (7/17) is a veteran of the Los Angeles restaurant scene. She opened her first restaurant, the critically acclaimed and award winning Grace, with her partner Chef Neal Fraser in 2003 and their second, the late BLD, in 2006. In 2012 Knoll Fraser, Chef Fraser and their partners took over operations of Vibiana. Knoll Fraser has successfully merged the Fraser’s distinct handcrafted approach to food, beverage, and service with the beauty and history of one of the city’s most stunning architectural gems. In addition to events at the facility, Knoll Fraser and her partners opened Redbird, the Fraser’s follow up to Grace, in the rectory building adjacent to the Main Hall in early 2015. Most recently, Knoll Fraser and Fraser launched their fast-casual concept, Fritzi Coop. They currently have two locations, one at the Original Farmer’s Market at The Grove, and a second standalone restaurant in the Arts District. Knoll Fraser currently resides on the Los Angeles Food Policy Leadership Board, the California Restaurant Association Los Angeles Board and is a charter member of the Dine LA Restaurant Week Advisory Board.
Molly Larkey (1/16) is an artist, writer, and activist based in Los Angeles, CA. Her work has been featured in exhibitions at PS1 MoMA, New York; The Saatchi Gallery, London; LACMA, Los Angeles; The Drawing Center, New York; Luis de Jesus Los Angeles; Ochi Gallery, Ketchum; Human Resources, Los Angeles; Commonwealth & Council, Los Angeles, among others.
Margaret Reeve (1/15) is a freelance communications consultant with 34 years of experience in higher education. She served as Director of Communications at Otis College of Art and Design from 2003-2014, creating strategic marketing campaigns that included print and digital messaging. Previous positions include Director of Exhibitions and Lectures at Harvard Graduate School of Design, and Director of Publications at Southern California Institute of Architecture (SCI-Arc). She was architecture editor for Art New England, contributing writer for The Boston Globe, editorial consultant for the Getty Center for the History of Art and Humanities, and freelance curator. She is currently teaching literacy and writing workshops as a volunteer at 826LA, and past volunteer activities include the LA Forum for Architecture and Urban Design, and Somerville Arts Council. She directed art galleries in Boston and Provincetown, and earned her BA in art history from Wellesley College.
Jackie Sharp (2/11) worked as a co-producer at Target Video, the now legendary arts and video collective located in San Francisco’s Mission District. She established Independent World Video, was an Executive Producer at VH1 and later, Vice President of Production and Original Programs. She is currently President and Treasurer of Sharp Properties, Inc. Jackie continues to work actively with Target Video (aka TargetVideo77.) She has developed a unique set of talents that she brings to the artistic and business fields in which she works.
Li Wen (7/16) AIA is a Principal and Design Director at Gensler, a global design practice that he joined in 2006. He has over 25 years of experience and is responsible for leading the design on many of the firm’s corporate, creative office and civic/cultural projects, including MGM Place in Beverly Hills, the LAPD Memorial to Fallen Officers, Playa Jefferson creative office campus, and the AltaSea campus at the Port of Los Angeles. In addition, he is a leader on the team responsible for formulating research and development on special projects out of the Los Angeles office, which include the visionary Network_LA Transit, the firm’s Environmental Mapping Tools, and most recently, the Pershing Square ReVision and CAPACITY. Li has also acts as lead editor for the Gensler’s Ideas_ journals, which he created and established in 2008. Li has both served as a SouthWest Regional Design Leader, and as a Firm-Wide Design Leader for Gensler, responsible for driving the design culture of the firm at various scales of purview. Li is a graduate of the Yale School of Architecture, receiving his Masters of Architecture degree in 1988. As a long-standing member of the AIA, Li has served on the LA Chapter Board twice as well as on its Executive Council and the AIACC Board. Li has been on the Los Angeles Mayor’s Design Advisory Panel, has served as a panelist for the Los Angeles Cultural Affairs Department’s Public Art Administration Program, and until recently co- chaired the Economic Development Committee for the Hollywood Chamber of Commerce. He has been a design faculty member at the University of Southern California School of Architecture, and continues to serve on design juries at the architecture Schools of USC, UCLA and Woodbury. Li has lectured at USC, Yale, Cal Poly Pomona, Mobius LA, the LA Architecture Forum, and the AIA|LA Design Convention. His work and ideas have received numerous awards and have been published in numerous publications including The Los Angeles Times, Architectural Record, Interior Design, Interiors, ArchDaily and Fast Company.