Sarah Russin, Executive Director (03/14)
Executive Director since 2014, Sarah Russin is expanding upon LACE’s experimental spirit and legacy of presenting groundbreaking and socially engaged art. With the LACE team and board of directors, Sarah is dedicated to the development and support of artists and artistic communities, and to offering LACE as a communal center that welcomes a broad audience to experience and create dialogue around contemporary art and culture. Shortly after arriving at LACE, she established two signature annual programs: the Emerging Curator’s Program, designed to discover curatorial talent in Los Angeles, and the Summer Artist in Residence Program, which since its inception, has featured Native Strategies, Rafa Esparza, Jibade-Khalil Huffman, Jimena Sarno, and Young Joon Kwak with Mutant Salon. In celebration of LACE’s 40th Anniversary, Sarah worked closely with The Getty Research Institute in their acquisition of The LACE Archives.
Prior to LACE Sarah worked in higher education in various capacities. At Otis College of Art and Design, she served as Assistant Vice President of Institutional Advancement, and previously as Director of Alumni Relations, developing support for the college in the areas of collaborative partnerships, corporate and foundation relations, marketing and communications, and individual giving. Before joining Otis in 2002, Sarah oversaw recruitment efforts for Art Center College of Design, where she reviewed thousands of portfolios, and led Art Center’s highly regarded Night and Saturday High Programs. She served on the board of the Barnsdall Park Foundation for seven years. Sarah holds a BFA from Rhode Island School of Design.
Daniela Lieja Quintanar, Chief Curator and Director of Programming (10/16)
Daniela Lieja Quintanar (Mexico City, 1984) is LACE curator since 2016. She works between Los Angeles and Mexico, emphasizing contemporary art and curatorial practices that explore the politics and social issues of everyday life. She is part of the curatorial team of MexiCali Biennial 2018-19, and was recently awarded the Warhol Foundation Curatorial Research Fellowship. She served as Project Coordinator and Contributing Curatorial Advisor for Below the Underground: Renegade Art and Action in the 1990s Mexico at the Armory Center for the Arts in Pasadena, Getty PST:LA/LA initiative. In 2016, she worked with artist Teresa Margolles for her contribution La Sombra to the Public Art Biennial CURRENT: LA Water. In 2016, she was Research Assistant for the exhibition The Metropolis in Latin America, 1830–1930 of the Getty Research Institute, PST:LA/LA. She organized with LACE La Pista de Baile by Colectivo am, as part of the Getty/Redcat PST: Live Art LA/LA Performance Festival. She curated Unraveling Collective Forms (2019); CAVERNOUS: Young Joon Kwak & Mutant Salon (2018) and Emory Douglas: Bold Visual Language (2018 co-curated with Essence Harden); home away from by Jimena Sarno (2017), El Teatro Campesino (1965-1975), (2017 co-curated with Samantha Gregg) at LACE, Between Words and Silence: The Work of Translation and Down and to the Left: Reflections on Mexico in the NAFTA Era at the Armory Center for the Arts (both 2017, co-curated with Chief Curator Irene Tsatsos), and Acciones Territoriales (Territorial Acts) at the Museo Ex Teresa in Mexico City (2014). Lieja holds a BA in Ciencias de la Cultura from the Universidad del Claustro de Sor Juana, Mexico City, and an MA in Art and Curatorial Practices in the Public Sphere from the University of Southern California.
Juan Silverio, Exhibition and Operations Manager (02/20)
Juan Silverio is a multi-disciplinary artist and arts professional based in Los Angeles. He came to LACE as a Getty Marrow intern in 2019, and now runs all facility operations including exhibition installation, inventory management, and art handling. Juan has held curatorial assistant and intern positions at 18th Street Arts Center, LACE, UCSB Special Collections Library, and the Getty Research Institute. In 2018, he curated a group exhibition at Self Help Graphics titled, “Hacer, Deshacer, y Rehacer” featuring works by Roberto Gil de Montes, Los Four, Dalila Paola Mendez, Carlos Ibanez and more. He has participated in solo and group exhibitions in Santa Barbara and Los Angeles, including Viva Las Fotos: A Day of the Dead Memorial for Laura Aguilar at Avenue 50 Studio. Juan holds BA degrees in Art and Chicana/o Studies from the College of Creative Studies and University of California, Santa Barbara.
Brennen Perry, Communications Coordinator (5/19)
Brennen began with LACE as an intern in 2017, and has since joined as Gallery Assistant, where he runs the Internship Program and gallery communications. Prior to LACE, Brennen has worked in educational and supervisory roles at the Marciano Art Foundation and The Broad Art Museum. Brennen also ran the alternative art space Public Pool, located in the San Fernando Valley, which showcases experimental one-day installations mounted in a full, residential pool. He maintains a multi-disciplinary art and curation practice. He received his BFA in painting and printmaking from Virginia Commonwealth University.
Fiona Ball, Grants Manager (02/15)
Fiona is a creative organizer based in Los Angeles and the Bay Area. She is the Curatorial Project Manager at Yerba Buena Center for the Arts. She was previously the Managing Editor at Art Practical, the Assistant Director at Los Angeles Contemporary Exhibitions, and has extensive experience working with arts nonprofits and visual arts organizations including &art&, the Hollywood Arts Council, the Skirball Cultural Center, Creative Migration, and RITE Editions.
Fiona is also a dedicated advocate for arts and artist funding. She was selected as an Arts for LA ACTIVATE Fellow in Cultural Policy for 2016-17 and served as an arts delegate for Los Angeles Arts Day in 2017. She frequently collaborates with artists as a producer and curator, developing multi-part performances often in the public space. Ball holds a BA in Art History with a minor in Education Studies from the University of California, Los Angeles and an MA in Curatorial Practice from California College of the Arts.
Jocelyn Lopez- Anleu, Curatorial Assistant, Getty Initiative PST: Art x Science x LA and Interglactix: against isolation/contra el aislamiento (10/20)
Jocelyn is a researcher and arts professional based in Los Angeles. Her curatorial and research interest center hybrid identities, transnational memory, and biopolitical technologies in the era of globalization. Her focus on contemporary art of Central America and its US-based diaspora, queer performance art, and prison abolition are explored as means to amplify, mobilize, or divert structures of power through individual and collective gestures. She has assisted in the exhibitions jackie sumell: Solitary Gardens; Carlos Motta: We the Enemy; Question Bridge: Black Males; and BLKNWS part of MADE IN L.A 2020. Prior to LACE, Jocelyn has held curatorial and intern positions at LAND, The Broad, The Institute of Arts and Sciences at UC Santa Cruz, MOCA, and Royale Projects: Contemporary Gallery. She holds a BA in History of Art and Visual Culture with a concentration in Curation, Heritage, and Museums from the University of California, Santa Cruz.
Mary Cullather, Bookkeeper
Mary is an experimental music composer and multi-media artist who lives in Los Angeles and has worked in music, performance, video, photography, and installation. She has an MFA in Art from CalArts and a BA in Music from University of St. Thomas. Her work has been shown at: DiverseWorks, Huntington Beach Art Center, New Music America, The Orange Show.
Mary (at) welcometolace.org
Bowie & Carrott, Gallery Dogs
Photo by Glenn Zucman