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Variety of Futurisms
November 17, 2018 @ 12:00 pm
Variety of Futurisms
Saturday, November 17 2018, 12- 1:30PM
Research Group Series
Second Session featuring:
Nasrin Himada is a Palestinian writer, editor, and curator based in Tio’tia:ke (Montréal), in Kanien’kehá:ka territory. Their writing on contemporary art has appeared in Canadian Art, C Magazine, Critical Signals, The Funambulist, Fuse Magazine, and MICE Magazine, among others. They are the co-editor of contemptorary.org
Saturday, November 3 2018, 12- 1:30PM
Research Group Series
Second Session featuring:
Letters to the Future: Black Women/Radical Writing: A Roundtable Discussion
With “art as a form of epistemology” and “disaster as the convention of the present state” as conceptual frameworks, poets Erica Hunt and Dawn Lundy Martin’s groundbreaking 2018 anthology, Letters to the Future, gathers and explores the innovations and interventions of contemporary Black women writers as they manifest the future of Black life, aesthetics and concern. USC scholar and writer Zakiyyah Iman Jackson and Letters to the Future contributors Harmony Holiday, Harryette Mullen and Tisa Bryant look beyond imposed social and political limits and offer readings, reflections and analysis on Black women’s feminism, experimental impulses and deployment of aesthetic categories such as “unruly,” “radical” and “undisciplined” to imagine another world to know, create and be in.
Harmony Holiday is a writer, dancer, archivist and the author o four collections of poetry: Negro League Baseball, Go Find Your Father/A Famous Blues, Hollywood Forever, and the forthcoming A Jazz Funeral for Uncle Tom. She founded and runs Afrosonics, an archive of jazz and everyday diaspora poetics, and Mythscience, a publishing imprint that reissues and reprints work from the archive. She transcribed all of the poetry Amiri Baraka recorded on LPs with jazz accompaniment for SOS, his book of selected poems. Harmony studied rhetoric at UC Berkeley and taught for the Alvin Ailey American Dance Theatre. She received her MFA from Columbia University and has received the Motherwell Prize from Fence Books, and fellowships from the Ruth Lilly Foundation and from the New York Foundation of the Arts. She is currently working on a book of poems entitled M a á f a, and an accompanying collection of essays and memoir, Reparations: Thieves Who Stole My Blue Days, as well as a biography of the jazz singer Abbey Lincoln. She lives in Los Angeles.
Harryette Mullen’s books include Recyclopedia (Graywolf, 2006), winner of a PEN Beyond Margins Award, and Sleeping with the Dictionary (University of California, 2002), a finalist for a National Book Award, National Book Critics Circle Award, and Los Angeles Times Book Prize. A collection of essays and interviews, The Cracks Between What We Are and What We Are Supposed to Be, was published in 2012 by University of Alabama. Her most recent book, Urban Tumbleweed: Notes from a Tanka Diary, was published by Graywolf in 2013. She teaches courses in American poetry, African American literature, and creative writing at UCLA.
Tisa Bryant is the author of Unexplained Presence, a collection of fiction-essays on black presences in film, literature and visual arts, and co-editor of the cross-referenced literary journal, The Encyclopedia Project, which released its final book, Encyclopedia Vol. 3 L-Z, in 2017. Her film essays have been screened at the Los Angeles Public Library, NonfictionNow, the Associated Writing Program’s annual convention, and the Hammer Museum, and her collaboration with Ernest Hardy, The Black Book, a six-volume visual mixtape & love letter of film, video, literature, visual art and music that critically celebrates Black life, aesthetics, politics and culture, was presented at the Hammer Museum from 2015-2018. Forthcoming books include Residual, from Nightboat Books. Tisa Bryant is Program Director of the MFA in Creative Writing at CalArts, where she teaches fiction and hybrid forms.
Zakiyyah Iman Jackson
Zakiyyah Iman Jackson is assistant professor of English at the University of Southern California. Professor Jackson’s book in progress, titled “The Blackness of Space Between Matter and Meaning,” clarifies the nature of the proximity between blackness and animality in the history of Western science and philosophy and investigates black literary, visual artistic, and philosophical interventions into the reciprocal production of discourses of racialization and speciation. Professor Jackson has published work in Feminist Studies(2014), Gay and Lesbian Quarterly (2011 and 2015), Qui Parle: Critical Humanities and Social Sciences (2016),Catalyst: Feminism, Theory, and Technoscience(2016)and South Atlantic Quarterly (2018).
Saturday, October 13 2018, 12 – 1:30PM
Research Group Series:
First Session featuring Ronak Kapadia
Center for Discursive Inquiry at California Institute of the Arts presents a new research group under the theme of “Variety of Futurisms.” Convened by Sara Mameni, this series explores Afro-Arab Futurisms in contemporary art and cultural production. In the past decade artists have responded to ongoing wars and continued corporate/imperial practices in the Middle-East and North Africa with alternative visions of the future. We have seen national conceptions of Palestine as a single high-rise tended to by a woman in a space-suite in the work of Larissa Sansour for instance, and artists working under the heading of “Gulf Futurism” in response to fast growing urban spaces in the Persian/Arab Gulf region. In light of these practices, this research group attempts to contextualize Speculative Arab Futurism in relation to longer traditions of futurist resistance in Afrofuturism.
Ronak K. Kapadia is assistant professor of gender and women’s studies and affiliated faculty in Global Asian Studies and Museum and Exhibition Studies at the University of Illinois at Chicago. He is author of the forthcoming Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke UP, 2019), which examines the visionary, world-making potential of contemporary art and aesthetics in the context of ongoing US war and empire in the Greater Middle East. With Katherine McKittrick and Simone Browne, he is co-editor of the 2017 special issue of Surveillance & Society on race and surveillance. His writings appear in Asian American Literary Review, Journal of Popular Music Studies, Feminist Formations, Verge: Studies in Global Asias, and edited volumes including: Shifting Borders: America and the Middle East/North Africa, Critical Ethnic Studies: A Reader, and With Stones in Our Hands: Reflections on Racism, Muslims and US Empire. Kapadia has begun research toward his second book project, The Downward Redistribution of Breath, which develops a critical feminist theory of healing/justice in the wilds of imperial decline.