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October 2011

Black Gold Fever

October 13, 2011 @ 7:00 pm - 9:00 pm

13 October 2011, 7 - 9 pm Ulysses Jenkins  For all information on LA Live! commissioned artists, visit the Los Angeles Goes Live website: losangelesgoeslive.org

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3 x 6 x 3 #3

October 20, 2011
6522 Hollywood Boulevard

Los Angeles, CA 90028 United States
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20 October 2011 6:30 - 9:30 pm Brian Getnick, Alejandra Beatriz Herrara Silva and Samuel White Curated by Dino Dinco $ 10 suggested donation and by reservation only. 3 x 6 x 3 # 3 is the final installment of a three part series, each component featuring a circuit of three performance artists executing continuous live work for a rotating audience of six spectators. 3 x 6 x 3 # 3 exhibits the performative work of Brian Getnick, Alejandra Beatriz…

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Debating Through the Arts: Performance Art Event 4

October 29, 2011 @ 10:00 am - 6:00 pm

29 October 2011, 10 - 6 pm Jerri Allyn and Inez Bush  For all information on LA Live! commissioned artists, visit the Los Angeles Goes Live website: losangelesgoeslive.org

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November 2011

ReVisions of LA with Elana Melissa Hill, David Festa, and Allison Miller

November 6, 2011 @ 1:00 pm - 4:00 pm
6522 Hollywood Boulevard

Los Angeles, CA 90028 United States
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06 November 2011 1 - 4 pm ASAP @ LACE LACE is located in the heart of Hollywood, an ideal place to observe and contemplate the collision of Los Angeles -- its intricate networks hum with activity as resources are transferred and spaces are reconstructed through use or development. ASAP’s 2011 Re-Visions of LA drawing workshops will build conversations around how our urban environments are constructed and what that means to our every day lives. Each month a new group…

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Grand Pale Maw Opening Reception

November 6, 2011 @ 1:00 pm - 4:00 pm
6522 Hollywood Boulevard

Los Angeles, CA 90028 United States
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06 November 2011, 1 - 4 pm with a special Re-Visions of LA Workshop LACE is thrilled to host the opening reception for Sean Sullivan’s Grand Pale Maw. Working entirely in black marker and latex paint, Sullivan created an expansive wall drawing over the course of several months. Now completed, Grand Pale Maw engages the narrow rear hallway by emphasizing the idea of “passage” as a physical space as well as a narrative of inheritance.  In his work, Sullivan often attempts…

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