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You are here: Home / LACE / 2000-2004 / D’Ette Nogle

D’Ette Nogle

April 21 – June 30, 2001

The work of D’Ette Nogle is characterized by a strong autobiographical streak, in which activities such as vacations, documentation of her grandparent’s mobile vacation home, and wrenching, intimate conversations become transformed and integrated into art. “Cheap Therapy,” for example, is a 27-minute video containing loosely scripted reenactments of conversations between the artist and her husband, ending ambiguously, without clear resolution. Raising uncomfortable topics in a self-appraising manner, “Cheap Therapy” mirrors the voyeuristic appeal of mass media confessional daytime television. Its use of low-tech video techniques combined with its frank straightforwardness makes “Cheap Therapy” a strong example of how Nogle’s artistic interests are manifested.

While still a graduate student, Nogle first gained recognition for an ambitious, large-scale project that combined sculpture, public art and portraiture. First, she spent months knitting a huge cozy designed to fit over her grandparent’s beloved motor home. Following that, she videotaped her grandparents proudly giving a private tour of their new mobile home. The result–a large outdoor sculpture and a tender portrait–is a complicated pair of pieces that skillfully balance poignancy and whimsy.

Nogle later produced “Columnhouse,” another piece that combines video and sculpture. “Columnhouse” is a structure that was designed to fit around a column in the New Wight Gallery and was created for Nogle’s MFA thesis show at UCLA. Rather than making use of the column as a tool to reinforce the strength of the structure, as would happen with conventional architecture, Nogle dealt with the column as a kind of hindrance. She undermined the idea of using the column as structural support by building the house off center. Within this domestic structure, the column took on a kind of metaphorical value, akin to the skeleton in the closet or the family secret everyone knows but of which no one speaks.

Collaborating with her family has become something of a stylistic signature for Nogle. For her project in Sonsbeek 9, the prestigious outdoor art exhibition in Arnheim, Holland, Nogle built a stage in a park to be used for a variety of public performances. The stage was inaugurated by a performance of a folk band that consists of the artist and her parents..

Nogle created new work for her exhibition at Los Angeles Contemporary Exhibitions.

Exhibition Flyer

Filed Under: 2000-2004, Exhibition, Installation, LACE, Video Tagged With: 2001, D'Ette Nogle, Exhibition, installation, Sculpture, solo show, Video

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PRESS RELEASE: Announcing LACE’s Next Emerging Curators

Announcing the 2025 Lightning Fund and Jacki Apple Awards

“Beatriz da Costa: (un)disciplinary tactics” named Best Art by The New York Times

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On Saturday, August 2 from 2–7pm, join LACE for On Saturday, August 2 from 2–7pm, join LACE for this year's Artists’ Film International (AFI'25) at the Philosophical Research Society (@philosophical_research_society).

This touring film program is collectively curated and presented by 16 international arts organizations and convened by Forma (@formaartsmedia). AFI’25 introduces the work of talented moving image artists to worldwide audiences, and will be live over 300 days, with exhibitions, screenings and public programs hosted across 4 continents.

LACE’s selection for AFI’25 is "Leymusoom Garden: New Sun" (2024) by Heesoo Kwon (@leymusoom). Kwon’s oneiric visual language and unique animation style allow her to create memoryscapes of personal and community liberation. The film rewrites mythical matrilineal histories through utopian and whimsical abstractions of time, space, and memory to ultimately bring forth healing and transformation. 

Admission is free! RSVP at the link in our bio.

Image caption:
Still from Heesoo Kwon, Leymusoom Garden: New Sun, 2024. Courtesy the artist
Join LACE for “Obsidian Reflections” happening Join LACE for “Obsidian Reflections” happening Saturday, July 19, 2–5 PM at the Philosophical Research Society (@philosophical_research_society).

Curated by Selene Preciado and Andrea Acuña, this film program presents a selection of video works that integrate ancestral knowledge and indigenous storytelling, imagining futures where the past and present connect through the power of ruins and resilience. Followed by a musical performance with multimedia NeoCumbia artist El Keamo (@el_keamo).

Learn more and RSVP at the link in our bio!
We are excited to announce LACE's 11th Emerging Cu We are excited to announce LACE's 11th Emerging Curator! Meet Semaj Peltier (@horsebreath87) and pom*pom (@__pom____pom__), collaborators in a curatorial collective and experimental film archive organizing community-based events since 2022. For the Emerging Curator Program, Semaj Peltier and Pom Pom curate "No Loneliness Like This," a film and food event showcasing experimental films that traverse the many manifestations of state-sanctioned isolation.

Peltier, a projectionist, archivist and filmmaker, brings a praxis shaped by her studies at the University of Amsterdam’s Preservation and Presentation of the Moving Image Masters program, specializing in ephemeral histories shaped by coloniality and otherness. pom*pom, developed by Russell Hartling and Crystal Dawana, is an experimental food collective whose sensory-driven dining experiences intersect with film programming to evoke memory, storytelling, and connection. Together, they build worlds where film and food become tools of resistance—rituals that evoke memory, incite dialogue, and nurture solidarity through shared sensation and subversion. 

This year’s panel included Jheanelle Brown (@jheaneeeeeelle), faculty member at CalArts and Curator of Film at REDCAT; Carrie Chen (@carriechen01), artist, curator, and educator; and Heber Rodriguez (@hebereatschips), Coordinator for the City of Lancaster’s Parks, Recreation and Arts Department in the Arts and Museums Division. 

Read the full press release in our bio!
If you missed “ENDURANCE” or want to relive th If you missed “ENDURANCE” or want to relive the experience, head over to the LACE website to watch a selection of the performances with more to come soon!

“ENDURANCE” presented performance art and interdisciplinary work by elder artists. These artists use their practices to share wisdom, knowledge, and experiences that they have gained throughout their lives. This series is a companion program to LACE’s 2024 performance series, “ABUNDANCE”, both featuring often invisibilized bodies.

This program was held at L.A. Dance Project (@ladanceproject) from May 16–17, 2025.

The online presentation of “ENDURANCE” is supported by the Department of Cultural Affairs, City of Los Angeles (@culture_la). 

Photos by Angel Origgi (@angeloriggi).

Image captions in order:
Barbara T. Smith, OWB, 2025
Ulysses Jenkins and his band “Who Dat!,” Ethnic Cleansing, 2022/2025
Hirokazu Kosaka, Shoot Yourself, 2025
The Dark Bob, Beirut, 1982/2025
Kamau Daáood, Griot notes: Poem in Invisible Ink
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