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You are here: Home / LACE / 2005-2009 / Fallen Fruit: United Fruit

Fallen Fruit: United Fruit

20090617_Fallen-Fruit-United-Fruit_United-Fruit_Banana-Workers_08

June 17, 2009 – September 27, 2009

Drawn from Fallen Fruit’s recent trip to Columbia, David Burns, Matias Viegener and Austin Young examine the social, political and pop history of the banana.

17 June – 27 September 2009
Opening reception: 16 June 2009, 8 – 10pm

LACE Salon Series Events with Fallen Fruit
?15 September 2009, 8pm – Lecture with Dan Koeppel
20 September 2009, noon – Banana Meditation & Artists Talk

LACE is proud to present United Fruit, the first solo show by the artists collective Fallen Fruit (David Burns, Matias Viegener and Austin Young). This exhibition premieres a new body of work generated during Fallen Fruit’s recent residency in Colombia, South America which features a series of photographs and video installations exploring the social, political and pop history of the banana.

The opening reception, on Tuesday June 16 from 8pm – 10pm, features Are You Happy to See Me?, a participatory performance involving hundreds of bananas available for eating.  Attendees will be encouraged to photograph themselves playing with this often comical or suggestive fruit.

As the most popular fruit in the world, the banana is ubiquitous in daily life — both as a food staple in grocery stores large and small as well as the supremely seductive fruit used in modern advertising and branding.  At the same time the banana’s history, politics and origins have remained virtually invisible due to the remoteness of where they are grown and of the people who grow them.

Fallen Fruit’s installation at LACE engages its subject in a range of bold and oblique strategies, signaling perhaps that no single history of the banana is possible.  The title for the exhibition, United Fruit comes from the United Fruit Company which exists today in a much reduced form as Chiquita Bananas.  More powerful than the Latin American countries it colonized, the corporation was marked by its ruthlessness and corruption, and its exploitation of workers, a turbulent history of protests and events that lead to the infamous Banana Massacre of 1928 near the town of Ciénega, Colombia, which Fallen Fruit visited to create this work.  Burns, Viegener and Young chose to retain the title United Fruit for its hopeful and utopian echo, a contrast to its actual history.

The banana was first brought to Colombia over a hundred years ago by the United Fruit Company, which had a stranglehold on the global banana market, dominating all of North America and parts of Europe.  They helped Latin American countries build railroads which were then utilized primarily for banana shipments, building a vast system of plantations which held workers in perpetual isolation.  The economic model of the United Fruit Company became a template for a new kind of global monopoly capitalism.  In the 1970s the company finally collapsed from a combination of political pressure, its own corruption, and changing economics.

The banana is a cultural symbol that has a powerful history of marketing and manipulation.  In addition to its examination of the social and political history of the banana, United Fruit also examines the playful place of the banana in pop culture as the central prop in suggestive jokes and naughty humor. As much as there is a prohibition against stating the obvious, the force of the banana as a phallic symbol cannot be ignored.

Learn more about the banana.

The projects included in the United Fruit exhibition is part of a new long-term work-in-progress entitled The Colonial History of Fruit.  This initiative combines the focus of Fallen Fruit’s work with the local or particular with the global, allowing the artists to juxtapose two kinds of history: the broad or “objective”  and the anecdotal or “subjective.”  The history of how the fruit we eat comes from a specific place and ends up on our tables moves through specific or objective economic, historical and political forces. The “subjective” history resides in individuals and groups, the anecdotal tales of how people find new fruits, rediscover old ones, or carry along others from distant places.  The next fruits to be examined are the kiwi and arctic berries.

Read a review by Art in America here.

ABOUT FALLEN FRUIT
Fallen Fruit is a collaboration between David Burns, Matias Viegener, and Austin Young.  Founded in 2004, their projects range from social practice (events, performances and public actions) to photography, video and installations.  Fallen Fruit deploys fruit in their work to examine social relationships, the environment, urban space and transnational capitalism.  Fruit in this sense is transhistorical and crosses all classes, ages and ethnic groups.  It is both ubiquitous and often invisible, yet it is also the food that appears most often in art. All of Fallen Fruit’s projects touch on, work through or work with fruit in some manner. They state that “fruit is the lens through which we look at the world. www.fallenfruit.org

Read about Fallen Fruit in CABINET.
For more information download the UNITED FRUIT press release.

Fallen Fruit: United Fruit has been made possible through the generous support of the Good Works Foundation, the Andy Warhol Foundation for the Visual Arts and Side Street Projects.

The opening is sponsored by Whole Foods Market Arroyo Parkway

 

 

Media

Fallen Fruit United Fruit LACE Press Release Final

Banana Handout Final

Art in America Fallen Fruit Review

Filed Under: 2005-2009, Exhibition, Installation, LACE, Performance, Video Tagged With: 2009, Are You Happy to See Me?, Austin Young, banana, David Burns, Exhibition, Fallen Fruit, Fallen Fruit: United Fruit, installation, lecture, Matias Viegener, performance, Video

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We are 2 weeks away! Get your ticket at the link in our bio.
LACE (Los Angeles Contemporary Exhibitions) is pro LACE (Los Angeles Contemporary Exhibitions) is proud to announce the forthcoming group exhibition “A Tender Excavation” curated by our Curator & Director of Programs Selene Preciado!

On view from November 1, 2025–February 21, 2026 at the Luckman Gallery at Cal State LA, “A Tender Excavation” approaches research-based artistic practices through propositions of alternative histories, bringing together a group of artists that work with historical and familial photographic archives as a point of departure to construct new narratives and elicit transformation. Artists featured in the exhibition include Zeynep Abes, Susu Attar, Jamil Baldwin, Mely Barragán, Artemisa Clark, Arleene Correa Valencia, Mercedes Dorame, Prima Jalichandra-Sakuntabhai, Leah King, Tarrah Krajnak, Heesoo Kwon, Ann Le, Arlene Mejorado, Star Montana, and Camille Wong.

Join us for the opening reception on Saturday, November 1, 2025 from 2–5 PM. Click the link in bio to RSVP and learn about additional public programs.

“A Tender Excavation” is made possible thanks to our friends at The Luckman Fine Arts Complex at Cal State LA. Support for this exhibition is provided by the Teiger Foundation.
Thank you to everyone who came out to see Carlo Ma Thank you to everyone who came out to see Carlo Maghirang’s “ANITO” get activated by Jobel Medina and Anna Luisa Petrisko!

This is the last weekend to see “ANITO” at LA State Historic Park. The sculptures will be on view at the River Station Roundhouse turntable until September 7.

Photos by Christopher Wormald.
Introducing 011668, performing at the 𝗟𝗔𝗖 Introducing 011668, performing at the 𝗟𝗔𝗖𝗘 𝗙𝗢𝗥𝗘𝗩𝗘𝗥 Artist Celebration on September 25, 2025. 011668 is an American interdisciplinary artist exploring spirituality, mythology, and cosmogony through the digital age. Acknowledging industrial forces as our modern pantheon, 011668 unravels a contemporary creation myth while fusing elements of butoh dance, tokusatsu, and film noir.

We are excited to have 011668 perform at Metabolic Studio (@metabolicstudio), alongside the LA River. Read below about the performance captured above:
On January 16, 1968, at 10:00 PM PST, LADWP workers breached the Los Angeles River, inadvertently unearthing an unknown lifeform from a fissure in the concrete. The creature’s body is an amalgamation of mutated forms: part human, part crustacean, and part trash. Its scaly skin is a sickly shade of iridescent gray, adorned with a hard plastic exoskeleton, protruding wires, and twisted appendages. This shocking hybridization is the result of countless lifeforms and pollutants trapped within the concrete hex. The intermingling toxic cocktail of petrochemicals and wastewater ferment beneath the channel, creating an unprecedented genetic potential for birthing a new abomination into existence. The creature has continuously evaded detainment and grown to monstrous proportions, tearing through the urban landscape, disturbing commercial space, and leaving a trail of destruction in its wake. Some have crudely categorized the figure as a demon from another world. Others see the creature as a poignant metaphor highlighting the ramifications of humanity’s reckless treatment of the environment. Regardless, the creature has forged a unique reputation in Los Angeles.

Get your tickets via the link in our bio!

Photo by Derek Holguin (@derekholguin)
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