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You are here: Home / LACE / 2005-2009 / Fallen Fruit: United Fruit

Fallen Fruit: United Fruit

20090617_Fallen-Fruit-United-Fruit_United-Fruit_Banana-Workers_08

June 17, 2009 – September 27, 2009

Drawn from Fallen Fruit’s recent trip to Columbia, David Burns, Matias Viegener and Austin Young examine the social, political and pop history of the banana.

17 June – 27 September 2009
Opening reception: 16 June 2009, 8 – 10pm

LACE Salon Series Events with Fallen Fruit
?15 September 2009, 8pm – Lecture with Dan Koeppel
20 September 2009, noon – Banana Meditation & Artists Talk

LACE is proud to present United Fruit, the first solo show by the artists collective Fallen Fruit (David Burns, Matias Viegener and Austin Young). This exhibition premieres a new body of work generated during Fallen Fruit’s recent residency in Colombia, South America which features a series of photographs and video installations exploring the social, political and pop history of the banana.

The opening reception, on Tuesday June 16 from 8pm – 10pm, features Are You Happy to See Me?, a participatory performance involving hundreds of bananas available for eating.  Attendees will be encouraged to photograph themselves playing with this often comical or suggestive fruit.

As the most popular fruit in the world, the banana is ubiquitous in daily life — both as a food staple in grocery stores large and small as well as the supremely seductive fruit used in modern advertising and branding.  At the same time the banana’s history, politics and origins have remained virtually invisible due to the remoteness of where they are grown and of the people who grow them.

Fallen Fruit’s installation at LACE engages its subject in a range of bold and oblique strategies, signaling perhaps that no single history of the banana is possible.  The title for the exhibition, United Fruit comes from the United Fruit Company which exists today in a much reduced form as Chiquita Bananas.  More powerful than the Latin American countries it colonized, the corporation was marked by its ruthlessness and corruption, and its exploitation of workers, a turbulent history of protests and events that lead to the infamous Banana Massacre of 1928 near the town of Ciénega, Colombia, which Fallen Fruit visited to create this work.  Burns, Viegener and Young chose to retain the title United Fruit for its hopeful and utopian echo, a contrast to its actual history.

The banana was first brought to Colombia over a hundred years ago by the United Fruit Company, which had a stranglehold on the global banana market, dominating all of North America and parts of Europe.  They helped Latin American countries build railroads which were then utilized primarily for banana shipments, building a vast system of plantations which held workers in perpetual isolation.  The economic model of the United Fruit Company became a template for a new kind of global monopoly capitalism.  In the 1970s the company finally collapsed from a combination of political pressure, its own corruption, and changing economics.

The banana is a cultural symbol that has a powerful history of marketing and manipulation.  In addition to its examination of the social and political history of the banana, United Fruit also examines the playful place of the banana in pop culture as the central prop in suggestive jokes and naughty humor. As much as there is a prohibition against stating the obvious, the force of the banana as a phallic symbol cannot be ignored.

Learn more about the banana.

The projects included in the United Fruit exhibition is part of a new long-term work-in-progress entitled The Colonial History of Fruit.  This initiative combines the focus of Fallen Fruit’s work with the local or particular with the global, allowing the artists to juxtapose two kinds of history: the broad or “objective”  and the anecdotal or “subjective.”  The history of how the fruit we eat comes from a specific place and ends up on our tables moves through specific or objective economic, historical and political forces. The “subjective” history resides in individuals and groups, the anecdotal tales of how people find new fruits, rediscover old ones, or carry along others from distant places.  The next fruits to be examined are the kiwi and arctic berries.

Read a review by Art in America here.

ABOUT FALLEN FRUIT
Fallen Fruit is a collaboration between David Burns, Matias Viegener, and Austin Young.  Founded in 2004, their projects range from social practice (events, performances and public actions) to photography, video and installations.  Fallen Fruit deploys fruit in their work to examine social relationships, the environment, urban space and transnational capitalism.  Fruit in this sense is transhistorical and crosses all classes, ages and ethnic groups.  It is both ubiquitous and often invisible, yet it is also the food that appears most often in art. All of Fallen Fruit’s projects touch on, work through or work with fruit in some manner. They state that “fruit is the lens through which we look at the world. www.fallenfruit.org

Read about Fallen Fruit in CABINET.
For more information download the UNITED FRUIT press release.

Fallen Fruit: United Fruit has been made possible through the generous support of the Good Works Foundation, the Andy Warhol Foundation for the Visual Arts and Side Street Projects.

The opening is sponsored by Whole Foods Market Arroyo Parkway

 

 

Media

Fallen Fruit United Fruit LACE Press Release Final

Banana Handout Final

Art in America Fallen Fruit Review

Filed Under: 2005-2009, Exhibition, Installation, LACE, Performance, Video Tagged With: 2009, Are You Happy to See Me?, Austin Young, banana, David Burns, Exhibition, Fallen Fruit, Fallen Fruit: United Fruit, installation, lecture, Matias Viegener, performance, Video

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This year, LACE will award 10 artist project grants $6,000 each and one $10,000 grant to a mid- or advance-career artist.

To support applicants, LACE is offering a virtual information session on July 31 at 1PM PDT, on Zoom. This session will include an overview of the Lightning Fund and Jacki Apple Award eligibility guidelines, application platform tips, as well as an opportunity to ask questions. This session is open to anyone interested in applying to this year’s Lightning Fund and Jacki Apple Award, and will be recorded and posted on our website. 

Learn more and RSVP at the link in our bio!
This Saturday, the LACE Screening Room presents, “Obsidian Reflections” from 2–5 PM at the Philosophical Research Society (@philosophical_research_society).

This film program is followed by a musical performance with multimedia NeoCumbia artist El Keamo (@el_keamo). El Keamo is the alias of Alfredo González-Martínez, a first-generation Mexican-American multimedia artist from Reseda, California. With an innovative blend of cumbia sonidera, tribal, house, and acid genres, El Keamo’s Neocumbia project is a modern interpretation of traditional Latin rhythms fused with electronic synthesis, creating a unique sound that is both familiar and boldly avant-garde.

This event is FREE and you can RSVP at the link in our bio!

Video courtesy El Keamo.
You can now watch all the performances from "ENDUR You can now watch all the performances from "ENDURANCE" on the LACE website as part of our digital archive! 

"ENDURANCE" presented performance art and interdisciplinary work by elder artists. These artists use their practices to share wisdom, knowledge, and experiences that they have gained throughout their lives. This series is a companion program to LACE’s 2024 performance series, "ABUNDANCE," both featuring often invisibilized bodies.

This program was held at L.A. Dance Project from May 16–17, 2025.

The online presentation of "ENDURANCE" is supported by the Department of Cultural Affairs, City of Los Angeles (@culture_la).

Photos by Angel Origgi (@angeloriggi)

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Slide 2 (left to right), LACE Team: Johnny Young, Ida Tongkumvong, Fiona Crary, Selene Preciado, Sarah Russin
Slide 3 (left to right), LACE Fellow & Getty Interns: Becca Choe, Camilla Caldwell, Jada Wong
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