Jonathan Robinson’sSight Unseen, Ken Feingold’sUn Chien Delicieux and Jayce Salloum and Elia Suleiman’sIntroduction to the End of an Argument (Intifida): Speaking for Oneself /Speaking for Others began with the framework of conventional documentary and used it as a point of departure for creating essays which call into question filmic representation, the role of the filmmaker and taboos and stereotypes of documentary practice.
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