November 15 – December 15, 1991
Jonathan Robinson’s Sight Unseen, Ken Feingold’s Un Chien Delicieux and Jayce Salloum and Elia Suleiman’s Introduction to the End of an Argument (Intifida): Speaking for Oneself /Speaking for Others began with the framework of conventional documentary and used it as a point of departure for creating essays which call into question filmic representation, the role of the filmmaker and taboos and stereotypes of documentary practice.
