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You are here: Home / Archives for LACE / 2000-2004

Artists Seeks Paradise in Florida Swamps and Nursing Homes

Kerry Tribe Florida flyer

October 9 - December 28, 2003 Kerry Tribe is a Los Angeles-based artist whose work explores the social, collective, and often idiosyncratic ways in which we represent our understanding of ... [Read More]

Filed Under: 2000-2004, Exhibition, LACE, Video Tagged With: 2003, Artists Seeks Paradise in Florida Swamps and Nursing Homes, discussion, Exhibition, Irene Tsatsos, Kerry Tribe, photography, sound, Video

Small Skyscraper

Featuring: Chris Burden Organized by Irene Tsatsos with Julie Deamer in collaboration with architects Linda Taalman and Alan Koch of TK Architecture, formerly of OpenOffice. Discussion ... [Read More]

Filed Under: 2000-2004, Exhibition, Installation, LACE Tagged With: 2003, Alan Koch, architecture, Cara Mullio, Chris Burden, Exhibition, installation, Irene Tsatsos, Julie Deamer, lecture, Linda Taalman, Sculpture, Small Skyscraper, structure

Magic Carpet / Home

May 24 - November 24, 2003 Public Art Work Breaks Down Barriers Traditionally Placed Around Art. Visual Artist Maria Elena Gonzalez Transforms Public Housing Unit In Watts Into Magical Flying ... [Read More]

Filed Under: 2000-2004, Installation, LACE, Performance Tagged With: 2003, installation, Magic Carpet/Home, Maria Elena González, performance, public art, public park, Sculpture

The Rebirth of Wonder

February 15 - March 30, 2003 In February and March of 2003, LACE presented a series of performances, concerts, readings, and video/film that documented performative activity entitled The Rebirth of ... [Read More]

Filed Under: 2000-2004, Exhibition, LACE, Performance, Video Tagged With: 1978-1982, 2003, Alicia Beach, and Descriptive Memories, Below the Belt, Butterfly of the Mountains, Canadian Rain, Carlos "Ghetto Blasta" Mendoza, Charles Irvin, concert, Curt LeMieux, David Deany, Derrick Jefferson, Dude Dogg, Exhibition, Gerald Davis, High Performance: The First Five Years, Irene Tsatsos, Jenni Sorkin, Juan Capistran, Lauren Hartman, lecture, Livers in My Belly, Mario Ybarra, multi-media, My Dear Sweet Organs Cords, Pam Strugar, performance, reading, retrospective, Ricardo Espinoza, The Girl Was Saved, The Rebirth of Wonder, Tom Thumb, Trisha Donnelly, Video, video projection, Violet Adjustment After Kusama

High Performance: The First Five Years, 1978-1982

February 1 - March 30, 2003 High Performance: The First Five Years, 1978-1982 was organized by Jenni Sorkin and reconsiders the first international magazine devoted exclusively to live performance ... [Read More]

Filed Under: 2000-2004, Exhibition, LACE, Performance Tagged With: 1978-1982, 2003, Barbara T. Smith, Carolee Schneemann, Chris Burden, Exhibition, Gina Pane, High Performance: The First Five Years, historical archive, Jenni Sorkin, Kim Jones, Linda M. Montano, magazine, Nancy Buchanan, Paul McCarthy, performance, publication, Rachel Rosenthal, Suzanne Lacy, The Lesbian Art Project, the Waitresses, Theresa Hak Kyung Cha

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LACE (Los Angeles Contemporary Exhibitions)

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Free drink, you say? LACE is thrilled to partner w Free drink, you say? LACE is thrilled to partner with Chicas on the Rocks to bring you delicious cocktails (or mocktails) at the 𝗟𝗔𝗖𝗘 𝗙𝗢𝗥𝗘𝗩𝗘𝗥 Artist Celebration on September 25, 2025! All tickets come with one complimentary drink.

Chicas on the Rocks is a mujer owned and operated event bartending business located in east Los Angeles that’s praised for their delicious cocktails, and creative bar presentations. With over 20 years of industry experience, it’s their attentive service that sets them apart in the catering world. Chicas on the Rocks delights in creating a unique experience for their clients and their guests.

We are 2 weeks away! Get your ticket at the link in our bio.
LACE (Los Angeles Contemporary Exhibitions) is pro LACE (Los Angeles Contemporary Exhibitions) is proud to announce the forthcoming group exhibition “A Tender Excavation” curated by our Curator & Director of Programs Selene Preciado!

On view from November 1, 2025–February 21, 2026 at the Luckman Gallery at Cal State LA, “A Tender Excavation” approaches research-based artistic practices through propositions of alternative histories, bringing together a group of artists that work with historical and familial photographic archives as a point of departure to construct new narratives and elicit transformation. Artists featured in the exhibition include Zeynep Abes, Susu Attar, Jamil Baldwin, Mely Barragán, Artemisa Clark, Arleene Correa Valencia, Mercedes Dorame, Prima Jalichandra-Sakuntabhai, Leah King, Tarrah Krajnak, Heesoo Kwon, Ann Le, Arlene Mejorado, Star Montana, and Camille Wong.

Join us for the opening reception on Saturday, November 1, 2025 from 2–5 PM. Click the link in bio to RSVP and learn about additional public programs.

“A Tender Excavation” is made possible thanks to our friends at The Luckman Fine Arts Complex at Cal State LA. Support for this exhibition is provided by the Teiger Foundation.
Thank you to everyone who came out to see Carlo Ma Thank you to everyone who came out to see Carlo Maghirang’s “ANITO” get activated by Jobel Medina and Anna Luisa Petrisko!

This is the last weekend to see “ANITO” at LA State Historic Park. The sculptures will be on view at the River Station Roundhouse turntable until September 7.

Photos by Christopher Wormald.
Introducing 011668, performing at the 𝗟𝗔𝗖 Introducing 011668, performing at the 𝗟𝗔𝗖𝗘 𝗙𝗢𝗥𝗘𝗩𝗘𝗥 Artist Celebration on September 25, 2025. 011668 is an American interdisciplinary artist exploring spirituality, mythology, and cosmogony through the digital age. Acknowledging industrial forces as our modern pantheon, 011668 unravels a contemporary creation myth while fusing elements of butoh dance, tokusatsu, and film noir.

We are excited to have 011668 perform at Metabolic Studio (@metabolicstudio), alongside the LA River. Read below about the performance captured above:
On January 16, 1968, at 10:00 PM PST, LADWP workers breached the Los Angeles River, inadvertently unearthing an unknown lifeform from a fissure in the concrete. The creature’s body is an amalgamation of mutated forms: part human, part crustacean, and part trash. Its scaly skin is a sickly shade of iridescent gray, adorned with a hard plastic exoskeleton, protruding wires, and twisted appendages. This shocking hybridization is the result of countless lifeforms and pollutants trapped within the concrete hex. The intermingling toxic cocktail of petrochemicals and wastewater ferment beneath the channel, creating an unprecedented genetic potential for birthing a new abomination into existence. The creature has continuously evaded detainment and grown to monstrous proportions, tearing through the urban landscape, disturbing commercial space, and leaving a trail of destruction in its wake. Some have crudely categorized the figure as a demon from another world. Others see the creature as a poignant metaphor highlighting the ramifications of humanity’s reckless treatment of the environment. Regardless, the creature has forged a unique reputation in Los Angeles.

Get your tickets via the link in our bio!

Photo by Derek Holguin (@derekholguin)
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