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You are here: Home / LACE / 2000-2004 / Beacon

Beacon

November 16, 2002 – January 18, 2003

LACE presented Beacon by Rebecca Carter, a two-channel video installation that ran 16 November, 2002 through 18 January 2003. Beacon was the artist’s first solo show in Los Angeles since receiving her masters in fine arts from Art Center College of Design in 2000. An opening reception took place on 16 November 2002 from 6 – 8 pm. The artist spoke about her work on 6 December 2002 at 7 pm. This exhibition was organized by Irene Tsatsos.

Beacon centered on the relationship between physical and visual perception. Carter noted that during a sudden change in speed, the change is often first registered visually, followed by the body realigning itself in time and space to accommodate the shift, much like adjusting a level. However, sometimes it is the body, instead of the eyes, that senses an acceleration or deceleration. It is the space between these two phenomena, the moment of destabilization where neither perceptual system dominates, which Carter’s scenario sought to evoke.

The work was installed as two facing projections. Placed close together, the projections formed a narrow video corridor. The viewer was, in effect, sandwiched between two planes of light and sound.

The image for Beacon used a single shot of video, taken aboard a plane from the pilot’s perspective, as the plane heads toward a runway for landing. To maximize the potential for spatial dislocation, the video was shot at dusk, which Carter views as “the most ambiguous time of day.” The shot consists of a darkening field interrupted by white landing lights and sequential flashers at the edge of the runway, which serve as beacons for the landing.

In each projection, just before the plane appears to touch down, the video reversed itself and the plane appears to ascend. The speed of the footage is altered differently in each of the looped projections. In one projection, as the plane appeared to descend, the speed of the video was slowed, lengthening greatly the time it would take the plane to near the earth under normal perceptual conditions. Then, as the plane appeared to ascend, the extreme deceleration was reversed, generating a sense of centrifugal force, as if the plane was tethered to the point it kept trying to approach. In the second projection, the same sequence of video was presented with the plane appearing to accelerate as it landed and decelerate as it ascended.

The juxtaposition of these projections dramatized the delicate balance between what is seen and what is felt. By continually shifting the viewer’s real-time expectations of the scenario, Carter aimed to create conditions where at certain moments the physical sensation of hurdling through space became primary, while at other moments the visually observed cues superceded the physical ones, and still at other moments both perceptions competed simultaneously until the viewer negotiated the disparities and re-orientated his or her position between the two projections.

While Beacon was overtly structured as a contradiction of physical perception and visual perception, Carter’s deft melding and inversion of these expectations prompted the realization that these perceptual systems exist in continuum rather than in opposition.

Beacon was produced while Carter was in residence at the Wexner Center for the Arts at Ohio State University in Columbus.

Flyer available here

Pamphlet available here

Filed Under: 2000-2004, Exhibition, Installation, LACE, Video Tagged With: 2002, 2003, Beacon, Exhibition, installation, Irene Tsatsos, projection, Rebecca Carter, Video

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This is the final week to apply for the 2026 Light This is the final week to apply for the 2026 Lightning Fund! LACE is awarding 10 artist project grants of $6,000 each, as well as one $10,000 Jacki Apple Award grant to a mid- or advanced-career artist. Applications close this Sunday, October 5, 2025, at 11:59 PM PDT.

Applicants who are LA County residents, are at least 18 years of age, and are not currently enrolled in a college program, will be considered. Learn more about previously selected projects and submit an application through the Submittable portal at the link in our bio.
Thank you for joining us last night at the 𝗟𝗔𝗖𝗘 𝗙𝗢𝗥𝗘𝗩𝗘𝗥 Supporter Preview & Artist Celebration! ♡

We truly appreciate your encouragement of our work supporting emerging artists, curators, and cultural workers. With your generosity, we raised crucial funds for LACE’s operations and programming, which platforms artists and communities currently under attack including LGBTQ+, disabled, immigrant, and BIPOC individuals. With the dismantling of federal funding for the arts and humanities, support for LACE is as urgent and impactful as ever.

Final reminder that the 𝗟𝗔𝗖𝗘 𝗙𝗢𝗥𝗘𝗩𝗘𝗥 Benefit Art Auction closes today at 12:00PM PDT (3:00PM EDT)! Bid at the link in our bio. Until next year ˖⁺‧₊⟡₊˚⊹

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Slide 1: @0ll668, Slide 2: @laurenmetropolis, Slide 3: @coloredcraig, Slide 4: @smokeholler, Slide 5: @laurenmetropolis, Slide 6: @metabolicstudio
Our online art auction ends tomorrow at 12PM PDT! Our online art auction ends tomorrow at 12PM PDT! This is your last chance to bid on 50 works and 1 experience by iconic and emerging Los Angeles artists. Check out the @artsy link in our bio before it’s too late!

Artworks + Artists in order:
꩜ rafa esparza (@elrafaesparza)
꩜ Maria Maea (@maeamaria)
꩜ Anaid Garcia (@aanaaid_)
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AND tonight we celebrate at Metabolic Studio (@metabolicstudio)! Join us at the 𝗟𝗔𝗖𝗘 𝗙𝗢𝗥𝗘𝗩𝗘𝗥 Artist Celebration at 8:30PM! You can also join us at the Supporter Preview beforehand where donors and contributing auction artists are invited to a private reception, which includes an intimate walk-through of Lauren Bon’s (@laurenmetropolis) personal work, for the first time for this occasion. Get your tickets at the link in our bio. See you tonight ;) ✩₊˚.⋆☾⋆⁺₊✧
2 DAYS LEFT! Art lovers and supporters of LACE can 2 DAYS LEFT! Art lovers and supporters of LACE can bid on 50 works and 1 experience by iconic and emerging Los Angeles artists. Bid exclusively on @artsy until this Friday, September 26 at 12PM PDT (3PM EDT). By bidding, you’ll directly support LACE’s operations and programming, which platforms artists and communities currently under attack including LGBTQ+, disabled, immigrant, and BIPOC individuals. With the dismantling of federal funding for the arts and humanities, support for LACE’s Benefit is as urgent and impactful as ever.

Artworks + Artists in order:
✧ Christine Tien Wang (@christinetwang)
✧ Garry Winogrand (@winograndfilm)
✧ Shizu Saldamando (@shizutattoo)
✧ Diana Yesenia Alvarado (@deealvarado)
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Looking for other ways to support LACE? Tickets starting at $25 for our 𝗟𝗔𝗖𝗘 𝗙𝗢𝗥𝗘𝗩𝗘𝗥 Artist Celebration tomorrow, September 25 are now on sale! You can also join us at the Supporter Preview beforehand where donors and contributing auction artists are invited to a private reception, which includes an intimate walk-through of Lauren Bon’s (@laurenmetropolis) personal work, for the first time for this occasion. Learn more at the link in our bio.
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