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You are here: Home / LACE / 2000-2004 / Beautiful Ornaments as Shadows, Crashed Down and a Video of Flickering Light in a 70’s Office Tower

Beautiful Ornaments as Shadows, Crashed Down and a Video of Flickering Light in a 70’s Office Tower


November 16, 2002 – January 18, 2003

LACE presented a solo exhibition by Alice Könitz that ran 16 November, 2002 through 18 January, 2003. An opening reception took place on Saturday 16 November 2002 from 6 – 8 pm. The artist spoke about her work during a joint artists’ presentation with Ruby Neri on 17 January, 2003 at 7 pm. This exhibition was organized by Irene Tsatsos.

Alice Könitz’s exhibition, entitled Beautiful Ornaments as Shadows, Crashed Down and a Video of Flickering Light in a 70’s Office Tower, could be seen even before entering the building. On the windows of the building’s front façade, Könitz installed a vinyl pattern across the viewable area of the glass, which provided privacy and protection from the general street traffic, and enticed and permitted curious passers-by to peek through the slivers of space between pattern elements.

The window installation provided a foreground for the rest of Könitz’s work in the exhibition, which consisted of a series of maquettes and a new sculpture. The sculpture was an amalgamation of her distinct memory of a wooden structure that she visited as a child in Germany, and a set of contemporary corporate office towers located in downtown Los Angeles. This show will also include a series of maquettes – small cardboard and mixed media models – which served as proposals for structures that could function as sculpture, as architecture, or both.

Könitz’s constructions suggested an opening of the modernist aesthetic. Rather than tight, impenetrable forms, there were gaps that revealed sites of potential. There was a purposeful absence in Könitz’s forms that alluded to material breakdown. However, breakdown does not equal disintegration. The spaces were slippages, sites for reconstructing alternate realities and structures. Könitz imagined the viewer relating to her sculptures as pseudo-functional objects, alluding to possibilities in the everyday. Stoking the tension between title, material, structure, and imagined functionality, Könitz played with the viewer’s sense of hope and expectation.

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Filed Under: 2000-2004, Exhibition, Installation, LACE Tagged With: 2002, 2003, Alice Könitz, architecture, Beautiful Ornaments as Shadows Crashed Down and a Video of Flickering Light in a 70’s Office Tower, Exhibition, fabric installation, installation, Irene Tsatsos, Ruby Neri, Sculpture

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LACE (Los Angeles Contemporary Exhibitions)

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Join LACE and multidisciplinary artist Marnie Webe Join LACE and multidisciplinary artist Marnie Weber (@marnieweberstudio) on Thursday, November 13 from 7-9 PM at the Philosophical Research Society (@philosophical_research_society) for the Los Angeles premiere of her latest film, “House of the Whispering Rose” (2025). The screening will also feature Weber’s film “Song of the Sea Witch” (2020).

Filmed at the historic Beverly Estate in Beverly Hills, where silent film star Marion Davies and William Randolph Hearst shared their final days, “House of the Whispering Rose’’ takes place against a backdrop of forgotten wealth and grandeur.

Following the screening, LACE’s Curator and Director of Programs Selene Preciado (@selene__preciado) speaks with Marnie Weber to learn more about the making of the films and her collaborations. Light refreshments will be provided.

Reservations are filling up quickly and space is limited. RSVP at the link in our bio.

This program is supported by the Andy Warhol Foundation for the Visual Arts.
The works selected for “A Tender Excavation” d The works selected for “A Tender Excavation” depart from personal, familial, or historical photographic archives which ultimately are recontextualized through installation, collage, painting, film, video, sculpture, or mixed media, reimagining and reconnecting lost fragments to speak about personal and collective resilience, constructing new possibilities for an interconnected futurity.

LACE is thrilled to introduce three of the artists featured in the exhibition...

✷ Mercedes Dorame (@mercedes.dorame)  is a multi-disciplinary artist who calls on her Tongva ancestry to engage the problematics of (in)visibility and ideas of cultural construction and ancestral connection to land and sky.

✷ Leah King (@leahkinglive) is a multimedia artist working in collage, sound, film, and performance. Her intricately layered visual and sonic works explore race, gender, and power through a futurist lens.

✷ Ann Le (@annsgood) is a LA based artist and Senior Lecturer of Photography and Fine Arts at Loyola Marymount University. Her photomontages explore identity, family history, the diaspora, and the space in between becoming Vietnamese-American.

Join us at the opening reception on Saturday, November 1, 2025 from 2–5 PM at CSULA’s Luckman Gallery. Light refreshments will be provided. RSVP at the link in our bio.

Support for this exhibition is provided by the Teiger Foundation.
⭒ We are excited to welcome Jason Villegas to th ⭒ We are excited to welcome Jason Villegas to the LACE team as our 2025 Hisako Terasaki Intern! ⭒

Jason is currently a student at Los Angeles City College studying animation. He is a Mexican American artist making work about queer identity and bear subculture, inspired by indigenous art, pop culture, and consumerism. Jason makes ceramic sculptures, paintings, comics, and enjoys swimming, sci-fi, collecting toys, and his cats.

Join us in welcoming Jason to the team!
“A Tender Excavation” centers identities that “A Tender Excavation” centers identities that have been systematically excluded from mainstream narratives and representations of not only American art but of representing an “American” identity.

LACE is thrilled to introduce 3 of the artists featured in the exhibition...

⋆ Star Montana (@starmontana) is a photo-based artist who lives and works in Los Angeles, CA. She was born and raised in the Boyle Heights neighborhood of East Los Angeles, which is predominantly Mexican American and serves as the backdrop to much of her work.

⋆ Prima Jalichandra-Sakuntabhai (@prima_jalichndrsakntbhai) is a transdisciplinary artist, working across performance, video and installation, based in Los Angeles. Born in Thailand in 1989, they grew up in Europe before moving to the US in 2011.

⋆ Arlene Mejorado (@ari.mejorado) is an artist from Los Angeles who works through analog and digital image-making processes to contemplate ideas around memory, landscape, and placemaking. Often working intuitively, Mejorado’s practice ranges from traditional documenting to staging scenes that merge elements of installation, performance, and studio photography.

Join us at the opening reception on Saturday, November 1, 2025 from 2–5 PM at CSULA’s Luckman Gallery. Light refreshments will be provided. RSVP at the link in our bio.

Support for this exhibition is provided by the Teiger Foundation.
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