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You are here: Home / LACE / 2015-2019 / Closing performance: “An Infected Sunset”

Closing performance: “An Infected Sunset”

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Closing performance: An Infected Sunset
by Demian DinéYazhi’ in collaboration with Holland Andrews
Sat, May 25, 6-9pm

With this performance, we celebrate together the exhibition Unraveling Collective Forms, closing May 25.

An Infected Sunset is an ekphrastic long-form prose poem first conceived in August 2016 in the wake of the Orlando nightclub shooting, police killings of unarmed Black men, and in the midst of the Standing Rock #NoDAPL Resistance. During the writing of the poem the settler colonial nation-state elected the 45th president of this colonized country, which revealed a sudden revival of extreme white supremacist nationalism. As the social and political landscape evolved, the LIBERATED POEM emerged as an offering to Indigenous communities and landscapes striving for a decolonial and sovereign future emancipated from white supremacist capitalist hetero-patriarchal settler colonial trauma drama. This performance poem is a reflection on queer sex, survival/death politics, indigenous identity, settler and heteronormative romanticism, environmental injustice, and the importance of honoring community.

Demian DinéYazhi’ film works An Infected Sunset and Oceti Šakowiŋ are part of the exhibition Unraveling Collective Forms.


Demian DinéYazhi’(b. 1983) is an Indigenous Diné transdisciplinary artist born to the clans Naasht’ézhí Táb´´há (Zuni Clan Water’s Edge) and Tódích’íí’nii (Bitter Water). Growing up in the colonized border town of Gallup, New Mexico, the evolution of DinéYazhi’s work has been influenced by their ancestral ties to traditional Diné culture, ceremony, matrilineal upbringing, the sacredness of land, and the importance of intergenerational knowledge. Through research, mining community archives, and social collaboration, DinéYazhi´ highlights the intersections of Radical Indigenous Queer Feminist identity and political ideology while challenging the white noise of contemporary art. They have recently exhibited at Whitney Museum of American Art (2018), Henry Art Gallery (2018), Pioneer Works (2018), CANADA, NY (2017); and Cooley Art Gallery (2017). DinéYazhi´ is the founder of the Indigenous artist/activist initiative, R.I.S.E.: Radical Indigenous Survivance & Empowerment. DinéYazhi´ also serves as co-editor of Locusts: A Post-Queer Nation Zine. They are the recipient of the Henry Art Museum’s Brink Award (2017), Hallie Ford Fellow in the Visual Arts (2018), and Eiteljorg Contemporary Art Fellow (2019).

Holland Andrews is an American vocalist, composer, and performer whose work is based on emotionality and its many forms. In their composition work, Andrews focuses on the abstraction of operatic and extended-technique voice to build soundscapes encompassing both catharsis and dissonance. Frequently highlighting themes surrounding vulnerability and healing, Andrews arranges music with voice and clarinet, harnessing the innate qualities of the instruments’ elegance and power. As a musician, their influences stem from a dynamic range of musician whose influences include contemporary opera, musical theater, as well as ambient and noise music. Andrews performs under the stage name, Like a Villain. In addition to creating solo work, Andrews develops and performs soundscapes for dance, theater, and film artists, and whose work is still toured nationally and internationally. Andrews has gained recognition from publications such as The New York Times, Le Monde, La Republica, Business Times, and more. Holland Andrews is currently based in Portland, Oregon. 

Filed Under: 2015-2019, LACE, Performance Tagged With: An Infected Sunset, AnInfectedSunset, composer, decolonial, Demian DinéYazhi´, enviromental injustice, Holland Andrews, indigenous, operatic, poem, queer, Quipu, Unraveling Collective Forms, vocalist, We Are Loud Talking Knots

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LACE (Los Angeles Contemporary Exhibitions)

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Swipe to see selections from LACE’s archive over Swipe to see selections from LACE’s archive over the last almost 50 years!

LACE is excited to announce that we will be at the Los Angeles Archives Bazaar this Saturday, October 18, at CSULA! The event will feature 80 local and regional collections, along with practical workshops and exclusive presentations by archivists, filmmakers, and preservationists.

This year’s Archives Bazaar is presented by the LA as Subject Research Alliance in partnership with the USC Libraries, the Cal State LA University Library, and the Cal State LA Pathway Programs Office.

The Archives Bazaar runs from 10–3 PM in the Golden Eagle Ballrooms at Cal State LA. Admission is free. For the full program and exhibitor list, visit laassubject.org.

Slide 1: “The Archival Impulse: 40 Years at LACE” (March 15, 2018 – November 7, 2021). Photos by Chris Wormwald (@christopherwphoto).
Join LACE and multidisciplinary artist Marnie Webe Join LACE and multidisciplinary artist Marnie Weber (@marnieweberstudio) on Thursday, November 13 from 7-9 PM at the Philosophical Research Society (@philosophical_research_society) for the Los Angeles premiere of her latest film, “House of the Whispering Rose” (2025). The screening will also feature Weber’s film “Song of the Sea Witch” (2020).

Filmed at the historic Beverly Estate in Beverly Hills, where silent film star Marion Davies and William Randolph Hearst shared their final days, “House of the Whispering Rose’’ takes place against a backdrop of forgotten wealth and grandeur.

Following the screening, LACE’s Curator and Director of Programs Selene Preciado (@selene__preciado) speaks with Marnie Weber to learn more about the making of the films and her collaborations. Light refreshments will be provided.

Reservations are filling up quickly and space is limited. RSVP at the link in our bio.

This program is supported by the Andy Warhol Foundation for the Visual Arts.
The works selected for “A Tender Excavation” d The works selected for “A Tender Excavation” depart from personal, familial, or historical photographic archives which ultimately are recontextualized through installation, collage, painting, film, video, sculpture, or mixed media, reimagining and reconnecting lost fragments to speak about personal and collective resilience, constructing new possibilities for an interconnected futurity.

LACE is thrilled to introduce three of the artists featured in the exhibition...

✷ Mercedes Dorame (@mercedes.dorame)  is a multi-disciplinary artist who calls on her Tongva ancestry to engage the problematics of (in)visibility and ideas of cultural construction and ancestral connection to land and sky.

✷ Leah King (@leahkinglive) is a multimedia artist working in collage, sound, film, and performance. Her intricately layered visual and sonic works explore race, gender, and power through a futurist lens.

✷ Ann Le (@annsgood) is a LA based artist and Senior Lecturer of Photography and Fine Arts at Loyola Marymount University. Her photomontages explore identity, family history, the diaspora, and the space in between becoming Vietnamese-American.

Join us at the opening reception on Saturday, November 1, 2025 from 2–5 PM at CSULA’s Luckman Gallery. Light refreshments will be provided. RSVP at the link in our bio.

Support for this exhibition is provided by the Teiger Foundation.
⭒ We are excited to welcome Jason Villegas to th ⭒ We are excited to welcome Jason Villegas to the LACE team as our 2025 Hisako Terasaki Intern! ⭒

Jason is currently a student at Los Angeles City College studying animation. He is a Mexican American artist making work about queer identity and bear subculture, inspired by indigenous art, pop culture, and consumerism. Jason makes ceramic sculptures, paintings, comics, and enjoys swimming, sci-fi, collecting toys, and his cats.

Join us in welcoming Jason to the team!
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