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You are here: Home / LACE / 2015-2019 / El Teatro Campesino (1965-1975)

El Teatro Campesino (1965-1975)

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El Teatro Campesino (1965-1975)
Curated by Daniela Lieja Quintanar and Samantha Gregg
June 28 – August 13, 2017

ES / EN 

Read the El Teatro Campesino (1965-1975) Catalogue here.

In 1965, El Teatro Campesino was founded in California on the picket lines of the Delano Grape Strike. At first operating as a cultural subdivision of the United Farm Workers, this impromptu troupe of agricultural laborers began performing their own critical actos (one-act plays) to regional migrant workers and their families on flatbed trucks, at public rallies, and in union halls. In pursuit of a revolutionary form of theater, they employed satire, humor, improvisation, and participation with limited financial resources and an aesthetic that reflected the sociopolitical urgency of the times.

This exhibition is the first to locate El Teatro Campesino within the context of contemporary art and the lineage of social practice. Acting from the position of an in-depth case study, this project examines the many contributions of the collective in their first decade of work through a series of thematic focuses, including the use of family structure, rascuache aesthetics, and radical forms of theater. Ultimately, the work of El Teatro is as much a response to the Chicano movement as it is to the ability of performance to catalyze empathy in the contemporary world.

El Teatro Campesino (1965-1975)

Additional support for El Teatro Campesino (1965-1975) is provided by Mary and Armando Duron. Special thanks to El Teatro Campesino, Southern California Library, Diane Rodriguez, Jorge Huerta, University of California, Santa Barbara, and The Los Angeles Theatre Center.

Images by Chris Wormwald

This exhibition is a part of the Se habla español program at LACE. To see more bilingual projects, click here.

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Filed Under: 2015-2019, Exhibition, LACE Tagged With: 2017, Daniela Lieja Quintanar, Luis Valdez, Project Room, Samantha Gregg, Teatro Campesino

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LACE (Los Angeles Contemporary Exhibitions)

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“A Tender Excavation” approaches research-base “A Tender Excavation” approaches research-based artistic practices through propositions of alternative histories, bringing together a group of artists who work with historical and familial photographic archives as a point of departure to construct new narratives and elicit transformation.

LACE is thrilled to introduce three of the artists featured in the exhibition...

❥ Jamil G Baldwin (@juh_mile) was born in Lancaster, CA and raised in and across the Inland Empire and Los Angeles. Baldwin’s work explores the ability of the photographic document to reconstitute the histories of images and material into value systems of care.

❥ Camille Wong (@camillexwong) is a research-based artist living in Los Angeles, CA. Their practice examines power, geopolitics, and historiography through the lens of media and spectacle. They approach the gaze of ethnography by authoring the personal into the world through experimental documentary.

❥ Artemisa Clark (@bustilacaca) is a multidisciplinary artist from Los Angeles. She received a MA in performance studies from Northwestern University in 2016 and a MFA in visual arts from the University of California, San Diego in 2015. She has exhibited and presented research in spaces such as MOCA, The Hammer, the Mexican Consulate, the Vincent Price Art Museum, and more.

Join us at the opening reception on Saturday, November 1, 2025 from 2–5 PM at CSULA’s Luckman Gallery. Light refreshments will be provided. RSVP at the link in our bio.

Support for this exhibition is provided by the Teiger Foundation.
Swipe to see selections from LACE’s archive over Swipe to see selections from LACE’s archive over the last almost 50 years!

LACE is excited to announce that we will be at the Los Angeles Archives Bazaar this Saturday, October 18, at CSULA! The event will feature 80 local and regional collections, along with practical workshops and exclusive presentations by archivists, filmmakers, and preservationists.

This year’s Archives Bazaar is presented by the LA as Subject Research Alliance in partnership with the USC Libraries, the Cal State LA University Library, and the Cal State LA Pathway Programs Office.

The Archives Bazaar runs from 10–3 PM in the Golden Eagle Ballrooms at Cal State LA. Admission is free. For the full program and exhibitor list, visit laassubject.org.

Slide 1: “The Archival Impulse: 40 Years at LACE” (March 15, 2018 – November 7, 2021). Photos by Chris Wormwald (@christopherwphoto).
Join LACE and multidisciplinary artist Marnie Webe Join LACE and multidisciplinary artist Marnie Weber (@marnieweberstudio) on Thursday, November 13 from 7-9 PM at the Philosophical Research Society (@philosophical_research_society) for the Los Angeles premiere of her latest film, “House of the Whispering Rose” (2025). The screening will also feature Weber’s film “Song of the Sea Witch” (2020).

Filmed at the historic Beverly Estate in Beverly Hills, where silent film star Marion Davies and William Randolph Hearst shared their final days, “House of the Whispering Rose’’ takes place against a backdrop of forgotten wealth and grandeur.

Following the screening, LACE’s Curator and Director of Programs Selene Preciado (@selene__preciado) speaks with Marnie Weber to learn more about the making of the films and her collaborations. Light refreshments will be provided.

Reservations are filling up quickly and space is limited. RSVP at the link in our bio.

This program is supported by the Andy Warhol Foundation for the Visual Arts.
The works selected for “A Tender Excavation” d The works selected for “A Tender Excavation” depart from personal, familial, or historical photographic archives which ultimately are recontextualized through installation, collage, painting, film, video, sculpture, or mixed media, reimagining and reconnecting lost fragments to speak about personal and collective resilience, constructing new possibilities for an interconnected futurity.

LACE is thrilled to introduce three of the artists featured in the exhibition...

✷ Mercedes Dorame (@mercedes.dorame)  is a multi-disciplinary artist who calls on her Tongva ancestry to engage the problematics of (in)visibility and ideas of cultural construction and ancestral connection to land and sky.

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✷ Ann Le (@annsgood) is a LA based artist and Senior Lecturer of Photography and Fine Arts at Loyola Marymount University. Her photomontages explore identity, family history, the diaspora, and the space in between becoming Vietnamese-American.

Join us at the opening reception on Saturday, November 1, 2025 from 2–5 PM at CSULA’s Luckman Gallery. Light refreshments will be provided. RSVP at the link in our bio.

Support for this exhibition is provided by the Teiger Foundation.
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