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You are here: Home / LACE / 2000-2004 / TimeLine

TimeLine

December 8, 2001 – January 26, 2002

Featuring: Daniel Marlos

Opening Reception: 8 December 2001, 5-7 pm.

Please click here for a schedule and program synopses.

The work of Daniel Marlos focuses on the individual and the ways individual identity is tied to and forged from one’s surroundings. The result of three years of intensive effort, TimeLine, Marlos’s latest photographic project, uses a series of pictures of people and places to create a richly layered portrait of the city itself.

TimeLine
consisted of 221 pairs of photographs, black-and-white and color, each 14″ x 8 3/4″, stacked vertically, uncropped, and retaining the frame line between exposures. The images consist of portraits of Marlos’s friends in front of buildings around Los Angeles whose addresses correspond to every year since the founding of the city in 1781. The result is a unique double portrait of the city and its inhabitants. Marlos interweaves both historic and contemporary narratives by chronicling Los Angeles’s past with faces and places of the present. Each pair of images has been printed without alterations and in the exact order in which they were taken, thus making the work as much about the obsessive framework the artist has constructed and his attention to detail as it is about the tender eye cast on the subjects photographed.

The exhibition TimeLine also included Breezing through the 20th Century, a 100-second film developed out of preliminary material of this project. Daniel Marlos has been in numerous group shows in the Los Angeles area as well as in New York and in Europe, and last had a local solo show in Santa Monica at the Blum & Poe gallery.

Filed Under: 2000-2004, Exhibition, LACE Tagged With: 2001, 2002, Daniel Marlos, Exhibition, photography, portrait, TimeLine

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PRESS RELEASE: Announcing LACE’s Next Emerging Curators

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On Saturday, August 2 from 2–7pm, join LACE for On Saturday, August 2 from 2–7pm, join LACE for this year's Artists’ Film International (AFI'25) at the Philosophical Research Society (@philosophical_research_society).

This touring film program is collectively curated and presented by 16 international arts organizations and convened by Forma (@formaartsmedia). AFI’25 introduces the work of talented moving image artists to worldwide audiences, and will be live over 300 days, with exhibitions, screenings and public programs hosted across 4 continents.

LACE’s selection for AFI’25 is "Leymusoom Garden: New Sun" (2024) by Heesoo Kwon (@leymusoom). Kwon’s oneiric visual language and unique animation style allow her to create memoryscapes of personal and community liberation. The film rewrites mythical matrilineal histories through utopian and whimsical abstractions of time, space, and memory to ultimately bring forth healing and transformation. 

Admission is free! RSVP at the link in our bio.

Image caption:
Still from Heesoo Kwon, Leymusoom Garden: New Sun, 2024. Courtesy the artist
Join LACE for “Obsidian Reflections” happening Join LACE for “Obsidian Reflections” happening Saturday, July 19, 2–5 PM at the Philosophical Research Society (@philosophical_research_society).

Curated by Selene Preciado and Andrea Acuña, this film program presents a selection of video works that integrate ancestral knowledge and indigenous storytelling, imagining futures where the past and present connect through the power of ruins and resilience. Followed by a musical performance with multimedia NeoCumbia artist El Keamo (@el_keamo).

Learn more and RSVP at the link in our bio!
We are excited to announce LACE's 11th Emerging Cu We are excited to announce LACE's 11th Emerging Curator! Meet Semaj Peltier (@horsebreath87) and pom*pom (@__pom____pom__), collaborators in a curatorial collective and experimental film archive organizing community-based events since 2022. For the Emerging Curator Program, Semaj Peltier and Pom Pom curate "No Loneliness Like This," a film and food event showcasing experimental films that traverse the many manifestations of state-sanctioned isolation.

Peltier, a projectionist, archivist and filmmaker, brings a praxis shaped by her studies at the University of Amsterdam’s Preservation and Presentation of the Moving Image Masters program, specializing in ephemeral histories shaped by coloniality and otherness. pom*pom, developed by Russell Hartling and Crystal Dawana, is an experimental food collective whose sensory-driven dining experiences intersect with film programming to evoke memory, storytelling, and connection. Together, they build worlds where film and food become tools of resistance—rituals that evoke memory, incite dialogue, and nurture solidarity through shared sensation and subversion. 

This year’s panel included Jheanelle Brown (@jheaneeeeeelle), faculty member at CalArts and Curator of Film at REDCAT; Carrie Chen (@carriechen01), artist, curator, and educator; and Heber Rodriguez (@hebereatschips), Coordinator for the City of Lancaster’s Parks, Recreation and Arts Department in the Arts and Museums Division. 

Read the full press release in our bio!
If you missed “ENDURANCE” or want to relive th If you missed “ENDURANCE” or want to relive the experience, head over to the LACE website to watch a selection of the performances with more to come soon!

“ENDURANCE” presented performance art and interdisciplinary work by elder artists. These artists use their practices to share wisdom, knowledge, and experiences that they have gained throughout their lives. This series is a companion program to LACE’s 2024 performance series, “ABUNDANCE”, both featuring often invisibilized bodies.

This program was held at L.A. Dance Project (@ladanceproject) from May 16–17, 2025.

The online presentation of “ENDURANCE” is supported by the Department of Cultural Affairs, City of Los Angeles (@culture_la). 

Photos by Angel Origgi (@angeloriggi).

Image captions in order:
Barbara T. Smith, OWB, 2025
Ulysses Jenkins and his band “Who Dat!,” Ethnic Cleansing, 2022/2025
Hirokazu Kosaka, Shoot Yourself, 2025
The Dark Bob, Beirut, 1982/2025
Kamau Daáood, Griot notes: Poem in Invisible Ink
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