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You are here: Home / Archives for Divya Victor

Painted Over/Under Part 4: Kim Schoenstadt

On view 27 March – 17 April 2011 Opening reception Sunday, 27 March 1 – 4 PM     Los Angeles, CA (3 March 2011) – Join LACE in unveiling the final chapter of Kim ... [Read More]

Filed Under: 2010-2014, Exhibition, LACE Tagged With: 2011, Adriana Lara, Amina Cain, Anna Parkina, April 2011, Arabella Campbell, Chee Salette Architecture Office, Chee Salette Architecture Office (csao), Christine Wertheim, Divya Victor, Douglas Kearney, Florencia Pita mod, Gabriela Torres Olivares, Gitte Schäfer, Jazmín López, Jennifer Karmin, Jenny Donovan, Johanna Calle, Johanna Drucker, Kim Schoenstadt, Maaike Schoorel, Marco Antonio Huerta, Marh 2011, Mathew Timmons, Maxi Kim, Painted Over/Under, Painted Over/Under Part 4, Painted Over/Under Part 4: Kim Schoenstadt, Predock_Frane Architects, Sawako Nakayasu, Vanessa Place, Yedda Morrison, Zarouhie Abdalian

Not Content: Performance 2

with Douglas Kearney, Vanessa Place, and performance conceived by Divya Victor. Join us for readings by writers-in-residence Douglas Kearney and Vanessa Place and a Feral-Cat Attack as ... [Read More]

Tagged With: 2010, Amina Cain, Anna Joy Springer, Coverage, Danielle Adair, Divya Victor, Douglas Kearny, FERAL-CAT ATTACK, HELLOCAST, Jemima Wyman, Kim Schoenstadt, Les Figues Press, Mathew Timmons, Not Content, Not Content: Performance 2, Painted Over/Under, Public Interest, Statement of Fact, Tanya Rubbak, Teresa Carmody, Vanessa Place

PUBLIC INTEREST: PAINTED OVER/UNDER

June 22, 2010 - March 30, 2011 PAINTED OVER/UNDER: PARTS 1-4 ?Kim Schoenstadt’s Painted Over/Under Parts 1-4 is a year-long project based on the mismatched color patterning created by ... [Read More]

Filed Under: 2010-2014, Exhibition, Installation, LACE Tagged With: 2010, 2011, Adriana Lara, Amina Cain and Jennifer Karmin, Anna Parkina, Arabella Campbell, Chee Salette Architecture Office, Christine Wertheim, Divya Victor, Douglas Kearney, Erin Cullerton, Exhibition, Florenica Pita mod, Gaby Torres and Jenny Donovan, Gitte Schäfer, installation, Jazmín López, Jens Hoffman, Jens Hoffmann, Johanna Calle, Johanna Drucker, Kim Schoenstadt, Les Figues Press, Maaike Schoorel, Making Place Painted Over/Under: Part 3, Marco Huerta, Mathew Timmons, Maxi Kim, mural, PART 1: NOT CONTENT, PART 2: NO TITLE, Predock_Frane Architects, PUBLIC INTEREST: PAINTED OVER/UNDER, Sawako Nakayasu, site-specific, street art, Vanessa Place, Yedda Morrison, Zarouhie Abdalian

PUBLIC INTEREST: PAINTED OVER/UNDER

PAINTED OVER/UNDER: PARTS 1-4 Kim Schoenstadt’s Painted Over/Under Parts 1-4 is a year-long project based on the mismatched color patterning created by “graffiti maintenance” on freeway retaining ... [Read More]

Tagged With: 2011, Adriana Lara, Amina Cain and Jennifer Karmin, Anima Cain and Jennifer Karmin, Anna Parkina, Arabella Campbell, Chee Salette Architecture Office, Christine Wertheim, Divya Victor, Douglas Kearney, Erin Cullerton, Florenica Pita mod, Gaby Torres and Jenny Donovan, Gitte Schäfer, Jazmín López, Jenny Donovan & Gabriela Torres Olivares, Jens Hoffman, Joanna Drucker, Johanna Calle, Johanna Drucker, Kim Schoenstadt, Les Figues Press, Maaike Schoorel, Marc Salette, Marco Antonio Huerta, Marco Huerta, Mathew Timmons, Maxi Kim, Painted Over/Under, Predock_Frane Architects, Sawako Nakayasu, Tina Chee, Vanessa Place, Yedda Morrison, Zarouhie Abdalian

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News

PRESS RELEASE: Announcing LACE’s Next Emerging Curators

Announcing the 2025 Lightning Fund and Jacki Apple Awards

“Beatriz da Costa: (un)disciplinary tactics” named Best Art by The New York Times

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LACE (Los Angeles Contemporary Exhibitions)

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On Saturday, August 2 from 2–7pm, join LACE for On Saturday, August 2 from 2–7pm, join LACE for this year's Artists’ Film International (AFI'25) at the Philosophical Research Society (@philosophical_research_society).

This touring film program is collectively curated and presented by 16 international arts organizations and convened by Forma (@formaartsmedia). AFI’25 introduces the work of talented moving image artists to worldwide audiences, and will be live over 300 days, with exhibitions, screenings and public programs hosted across 4 continents.

LACE’s selection for AFI’25 is "Leymusoom Garden: New Sun" (2024) by Heesoo Kwon (@leymusoom). Kwon’s oneiric visual language and unique animation style allow her to create memoryscapes of personal and community liberation. The film rewrites mythical matrilineal histories through utopian and whimsical abstractions of time, space, and memory to ultimately bring forth healing and transformation. 

Admission is free! RSVP at the link in our bio.

Image caption:
Still from Heesoo Kwon, Leymusoom Garden: New Sun, 2024. Courtesy the artist
Join LACE for “Obsidian Reflections” happening Join LACE for “Obsidian Reflections” happening Saturday, July 19, 2–5 PM at the Philosophical Research Society (@philosophical_research_society).

Curated by Selene Preciado and Andrea Acuña, this film program presents a selection of video works that integrate ancestral knowledge and indigenous storytelling, imagining futures where the past and present connect through the power of ruins and resilience. Followed by a musical performance with multimedia NeoCumbia artist El Keamo (@el_keamo).

Learn more and RSVP at the link in our bio!
We are excited to announce LACE's 11th Emerging Cu We are excited to announce LACE's 11th Emerging Curator! Meet Semaj Peltier (@horsebreath87) and pom*pom (@__pom____pom__), collaborators in a curatorial collective and experimental film archive organizing community-based events since 2022. For the Emerging Curator Program, Semaj Peltier and Pom Pom curate "No Loneliness Like This," a film and food event showcasing experimental films that traverse the many manifestations of state-sanctioned isolation.

Peltier, a projectionist, archivist and filmmaker, brings a praxis shaped by her studies at the University of Amsterdam’s Preservation and Presentation of the Moving Image Masters program, specializing in ephemeral histories shaped by coloniality and otherness. pom*pom, developed by Russell Hartling and Crystal Dawana, is an experimental food collective whose sensory-driven dining experiences intersect with film programming to evoke memory, storytelling, and connection. Together, they build worlds where film and food become tools of resistance—rituals that evoke memory, incite dialogue, and nurture solidarity through shared sensation and subversion. 

This year’s panel included Jheanelle Brown (@jheaneeeeeelle), faculty member at CalArts and Curator of Film at REDCAT; Carrie Chen (@carriechen01), artist, curator, and educator; and Heber Rodriguez (@hebereatschips), Coordinator for the City of Lancaster’s Parks, Recreation and Arts Department in the Arts and Museums Division. 

Read the full press release in our bio!
If you missed “ENDURANCE” or want to relive th If you missed “ENDURANCE” or want to relive the experience, head over to the LACE website to watch a selection of the performances with more to come soon!

“ENDURANCE” presented performance art and interdisciplinary work by elder artists. These artists use their practices to share wisdom, knowledge, and experiences that they have gained throughout their lives. This series is a companion program to LACE’s 2024 performance series, “ABUNDANCE”, both featuring often invisibilized bodies.

This program was held at L.A. Dance Project (@ladanceproject) from May 16–17, 2025.

The online presentation of “ENDURANCE” is supported by the Department of Cultural Affairs, City of Los Angeles (@culture_la). 

Photos by Angel Origgi (@angeloriggi).

Image captions in order:
Barbara T. Smith, OWB, 2025
Ulysses Jenkins and his band “Who Dat!,” Ethnic Cleansing, 2022/2025
Hirokazu Kosaka, Shoot Yourself, 2025
The Dark Bob, Beirut, 1982/2025
Kamau Daáood, Griot notes: Poem in Invisible Ink
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